[ الفيلم السينمائي بين المفهوم والتصنيف والتلقي ]
Volume 41, Issue 4, February 2024, Pages 1058–1062
Abdouni abdelouahad1
1 Arabic Linguistics Department, Hassan II University, Mohammedia, Morocco
Original language: Arabic
Copyright © 2024 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
ABSTRACT: This article seeks to define the concept of the cinematic film and the criteria for its classification, because examining these two elements is important from multiple angles, including seeking to overcome the problem of discrepancy in defining concepts, translating them, framing them, and employing them in their correct cognitive context, and having an accurate awareness of the mechanisms of the cinematic film and what it shares in some or most of its components, in addition to Distinguishing between cinema as an art and discourse and its technical aspect.
Author Keywords: cinema, film, viewer, reception, image.
Volume 41, Issue 4, February 2024, Pages 1058–1062
Abdouni abdelouahad1
1 Arabic Linguistics Department, Hassan II University, Mohammedia, Morocco
Original language: Arabic
Copyright © 2024 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
ABSTRACT: This article seeks to define the concept of the cinematic film and the criteria for its classification, because examining these two elements is important from multiple angles, including seeking to overcome the problem of discrepancy in defining concepts, translating them, framing them, and employing them in their correct cognitive context, and having an accurate awareness of the mechanisms of the cinematic film and what it shares in some or most of its components, in addition to Distinguishing between cinema as an art and discourse and its technical aspect.
Author Keywords: cinema, film, viewer, reception, image.
Abstract: (arabic)
يسعى هذا المقال إلى تحديد مفهوم الفيلم السينمائي ومعايير تصنيفه وذلك لأن الوقوف عند هذين العنصرين مهم من زوايا متعددة منها السعي لتجاوز إشكال التباين في تحديد المفاهيم وترجمتها وتأطيرها وتوظيفها في سياقها المعرفي الصحيح وامتلاك وعي دقيق بآليات الفيلم السينمائي وما يشاركه في بعض أو معظم مكوناته إضافة إلى التمييز بين السينما باعتبارها فنا وخطابا وبين جانبها التقني
Author Keywords: السينما، الفلم السينمائي، المشاهد، التلقي، الصورة.
How to Cite this Article
Abdouni abdelouahad, “The cinematic film between concept, classification and reception,” International Journal of Innovation and Applied Studies, vol. 41, no. 4, pp. 1058–1062, February 2024.
