The present study is the concern of Hergé’s Tintin au Congo Enunciative reading. Tintin au Congo works as an illustrative sample if we consider its artistic nature (lines which constitute drawings expressing movements) of the strip cartoon of developing a plot that is able to be translated into a literary work. The enunciative setting in a strip cartoon sets characters in couples (transmitters – recipients) who make use of different vignettes as an excellent communicative frame. The spatial setting takes the form of places under images printings. The temporal setting and the modal particles are placed in balloons. In fact, Tintin au Congo is a speaking work. The ingredients which animate it (pictures and texts) provoke more particular attention then what is the concern of the literary work.
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