In this work, we tried to study some aspects which constitute the foundation of the anthropology in Morocco. We tried to emphasize the importance of the concept of tribe grafting that mode of social and cultural organization; we lifted (raised) some themes which marked the birth and the development of the anthropological knowledge, the knowledge which revealed the anthropological horizon of the Moroccan society. To do it, we made appeal(recourse) to the works of Robert Montagne, Ernest Gellner and Raymond Jamous to understand(include) the use(custom) which they made of the Moroccan tribal model and to know how also this one definitively marked the birth of the anthropology in Morocco.
Our work has for object of study the museum cultural policy in Morocco. Our anthropological approach joins in an interpretative approach which consists in reporting ethnographical museums and their way of functioning.
We also tried to see the definition which we assigned to the notion of museum cultural policy to understand the problematic relationship which maintains the museum, on one hand, with field of the cultural heritage and one the other hand with the public Moroccan. One has to note that said relationship cannot be understandable without the talking into consideration of the organizational criteria which obeys the reception of the patrimonial culture to acquire the status of museum culture.
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