Literary imagination is based on space which served as support. Since then, literary space is an indissociable element of other literary elements. The space, according to the fact that it's private or public, reveals itself as the focal point of social interactions. Considering public space in novels, the street appears like a place where several characters of different rank and social class meet themselves. This article proposes the analysis of Cameroonian social streets representation in two novels, namely « Le Cri muet » of Guillaume Nana and « Petit Jo, enfant des rues » of Evelyne Mpoudi Ngollé. It broaches the social image problem of streets in relation to vulnerable persons, particularly street children. The fundamental question to which our analysis tries to respond is: what are the unsympathetic characters of street in contemporary Cameroonian’s novels? It is to demonstrate how the novel writers cited above reproduce, and contradict the social representation of streets in their respective novels. To resolve this problem statement, we convene the socio-poetic approach of Alain Montandon who analyses the manner in which representations and social imaginaries informs the text in its writing. It results from this social apprehension of streets representations in Cameroonian novel that the latter are places where socio-pathies occur. So, they participate to the exclusion of streets children.