Volume 29, Issue 1, April 2020, Pages 127–140
MUGARUKA MUKANIRE Floribert1
1 Assistant, Institut Supérieur Pédagogique de Walungu, RD Congo
Original language: French
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
The present study is the concern of Hergé’s Tintin au Congo Enunciative reading. Tintin au Congo works as an illustrative sample if we consider its artistic nature (lines which constitute drawings expressing movements) of the strip cartoon of developing a plot that is able to be translated into a literary work. The enunciative setting in a strip cartoon sets characters in couples (transmitters – recipients) who make use of different vignettes as an excellent communicative frame. The spatial setting takes the form of places under images printings. The temporal setting and the modal particles are placed in balloons. In fact, Tintin au Congo is a speaking work. The ingredients which animate it (pictures and texts) provoke more particular attention then what is the concern of the literary work.
Author Keywords: enunciative reading, transmitters, recipients, vignettes, communicative frame.
MUGARUKA MUKANIRE Floribert1
1 Assistant, Institut Supérieur Pédagogique de Walungu, RD Congo
Original language: French
Copyright © 2020 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
The present study is the concern of Hergé’s Tintin au Congo Enunciative reading. Tintin au Congo works as an illustrative sample if we consider its artistic nature (lines which constitute drawings expressing movements) of the strip cartoon of developing a plot that is able to be translated into a literary work. The enunciative setting in a strip cartoon sets characters in couples (transmitters – recipients) who make use of different vignettes as an excellent communicative frame. The spatial setting takes the form of places under images printings. The temporal setting and the modal particles are placed in balloons. In fact, Tintin au Congo is a speaking work. The ingredients which animate it (pictures and texts) provoke more particular attention then what is the concern of the literary work.
Author Keywords: enunciative reading, transmitters, recipients, vignettes, communicative frame.
How to Cite this Article
MUGARUKA MUKANIRE Floribert, “LECTURE ÉNONCIATIATIVE DE TINTIN AU CONGO D'HERGÉ,” International Journal of Innovation and Applied Studies, vol. 29, no. 1, pp. 127–140, April 2020.
